Diaghilev commissioned Robert and Sonia Delaunay to redesign
the decor and costumes for the revival of Cleopatre which opened
in London at the Coliseum on 5 September 1918. Sonia Delaunay's design
for three dances.
G
Glazounov, Alexander (Konstantinovich) (b.
St. Petersburg, 1865; d. Neuilly-sur-Seine, 1936). Russian composer. Pupil
of Rimsky-Korsakov 1880-I. Balakirev
conducted his first symphony in 1882, the work being hailed as a precocious
masterpiece. Glazounov later met Liszt at Weimar and was influenced by
his and Wagner's music. Became director of St. Petersburg Conservatory
1905 after which his compositions became fewer. Left Russia 1928, visited
USA 1929, then lived in Paris.
Glinka, Mikhail (Ivanovich) (b. Novospasskoye,
Smolensk, 1804; d. Berlin, 1857). Russian composer, regarded as founder
of national school and the first Russian composer to be accepted outside
Russia. Interest in music aroused about 1815. In 1828 began serious study
of composition with Zamboni. In Vienna studied composition with Siegfried
Dehn. Returned to St. Petersburg to compose opera A Life for the Tsar,
successfully produced 1836. Appointed Kapellmeister, Imperial Chapel
1837. His second opera Ruslan and Lyudmila was produced 1842. In
1844 visited Paris, meeting Berlioz, traveling on to Spain, where the folk-dance
rhythms fascinated him. Returned to Russia 1847, but made several more
foreign journeys.
Grieg, Edward (Hagerup) (b. Bergen, 1843; d. Bergen,
1907). Norwegien composer, conductor, and pianist. Early tuition from mother
who was gifted pianist. On advice of violinist Ole Bull, went to study
at Leipzig Conservatory. Settled in Copenhagen, being encouraged by Gade.
In 1865-66 visited Rome where later won Stockholm Acad. of Music prize.
Married his cousin, the soprano Nina Hagerup in 1867, she being an inspiration
and interpreter of many of his songs. Settling in Christiania (Oslo), became
teacher and conductor. In 1874 Grieg received life annuity from Norwegien
Government and was asked by Ibsen to write music to Peer Gynt. This
has its first performance in 1876 and made Grieg a national figure.
I
Inghelbrecht, DesirŽ (Emile) (b. Paris,
1880; d. Paris, 1965). French conductor and composer. Conducted Swedish
Ballet in Paris and London in 1919-1923. Assistant conductor OpŽra Comique
1924-1925, conductor 1932. Conducted Paris OpŽra 1945-1950. Founded French
National Radio Orchestra in 1934. Composed opera, 4 ballets, choral, for
orchestra, chamber music and songs.
H
Hahn, Reynaldo (b. Caracas, 1874; d. Paris, 1947).
French composer and conductor. Studied Paris Conservatory 1886, composed
with Massenet. Musical critic Le Figaro 1934. Musical director Paris
OpŽra 1945-46. His operas include 2 special successes, Giboulette (1923)
and Le Marchand de Venise (1935). His musical comedy Mozart
(1925) (with libretto by Sacha Guitry) was also popular. Though he wrote
ballets, operettas, a cantata, piano concertos, violin concertos and incidental
music, he is best remembered by his charming songs. They include Si
mes vers avaient des ailes. Was intimate friend of Marcel Proust.
Handel, George Frederic (HŠndel, Georg Friedrich)
(b. Halle, 1685; d. London, 1759). German-born composer and organist (naturalized
English from 1726).
L
Lambert, (Leonard) Constant (b. Fulham, London,
1905; d. London, 1951). English composer, conductor, and critic. Studied
at the Royal College of Music 1915-1922 with R.O. Morris and, after 1919,
with Vaugham Williams. Ballet Romeo and Juliet was commissioned
by Diaghilev and produced by Monte Carlo 1926. Series of brilliant works
established him with Walton among leading younger English composers. Influenced
by jazz, especially Duke Ellington. His biggest success was with The
Rio Grande, a setting of Sacheverell Sitwell (1927). Took leading part
in establishment of British ballet. Brilliant writer, his book Music,
Ho! (1934) being an important and idiosyncratic commentary on contemporary
music at that date. Composed ballets, incidental, orchestral, choral, vocal
and piano music.
Liadov, Anatoly (Konstantinovich) (b. St. Petersburg,
1855; d. Novgorod, 1914). Russian composer. Pupil of Rimsky-Korsakov
at St. Petersburg Conservatory 1870-1878, where he later became professor
of composition. Researched Russian folk music with Balakirev
and Lyapunov.